I’m back! (mostly)

Hi lovely newsletter readers,

I have been MIA for the past few months due to a concussion, during which time not much happened. No concentrating, no working, no painting, nothing at all really. This left me mostly resting, alternating between the most exciting activities of sleeping, sitting and waiting, eating, listening to copious audiobooks and tiny walks. Then, when I started to feel better, I had to take things very slowly, doing only small, short tasks throughout the day, which I have gradually extended over the weeks. The hard bit was, and still is to be patient. I now feel so much closer to being my normal self againโ€”so glad! Who would have thought that getting things out of the car could have such huge repercussions!

While I was being majorly useless, things nevertheless still happenedโ€”luckily not much planning was required on my part, or it had at least all been done before I bumped my head. I was happily surprised and so pleased to be a finalist for the New Zealand Paint and Printmaking Award with my painting TwoFold (see below) at Artspost in Hamilton. What an opportunity to show my artwork alongside some of my long held art heroes in the same exhibition. The show itself is now over, but it has been extended and is now exhibited at KHR Galleria at Villa Tuscany in Matamata until 24th April. TwoFold was the last painting I did in 2025 before my wee little accident and before my parents arrived to spend Christmas with us.

TwoFold – 300mm dia.- Acrylic on board
From the NZPPA Catalogue
Fellow exhibitors at the NZPPA

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On another note my painting The Catlins River made it into the Hope and Sons Art Award, which runs biannually. This show can be viewed up in the Railway Station at the Otago Art Society until 11th April.

The Catlins River – 900mm x600mm – Acrylic on board

With this painting, I noticed how important the right lighting is. When I painted it in my studio, it looked warm and balanced, with the greens not too overpowering and the water clean. Unfortunately, when I took it outside, I got quite the shock at how cool and blue the colours suddenly appeared, how the reds and browns got lost, and how the greens looked far too strong and fought for attention. The water that appeared so clean in my studio now looked yellowed and stained. The lighting at the OAS unfortunately reveals all of thisโ€”but thatโ€™s just life. I have seen this happen before, especially with paintings I havenโ€™t taken outside at all to paintโ€”which was pretty much all of last year. So, something to watch out for in the future!

On that cheerful note, I wish you all well, and Iโ€™m hoping to continue my monthly newsletter from now onโ€”fingers crossed and heads not bumped in the future!

Upcoming Solo Show

Over the past few weeks I have been painting what seems like a huge pile of strawberries.

This all came about when I won a space for a two-week show in one of the Otago Art Society’s galleries upstairs in the beautiful Dunedin Railway Station. Earlier in the year, I also had a solo show at Mฤori Hill School โ€” my biggest to date โ€” which included a painting of a strawberry. That piece was so fun to create and received such positive feedback.

Iโ€™ve always had fond memories of my childhood and teenage years connected to strawberries โ€” they were once my favourite thing to eat (before my apple addiction). I remember trips to our local strawberry fields in Tamm and the surrounding area (near Stuttgart, Germany), where we could pick and eat strawberries galore. And what is more, I was once completely infatuated with The Beatles โ€” especially their song Strawberry Fields Forever โ€” so much so that even my first-ever email address involved strawberries!

Out of all that, the idea was born to do a show about strawberries. I originally planned to paint eight realistic-looking, small, 20cm round pieces for the show. Well, I must have been painting like the devil, because Iโ€™ve definitely surpassed that number โ€” Iโ€™ll have 16 when theyโ€™re all ready! Theyโ€™re pretty much complete now.


And without further ado, hereโ€™s my little blurb for the upcoming show:

In Nothing is Real, small becomes extraordinary. Dunedin-based artist Sarah Freiburger transforms the ordinary strawberry into a hyperreal muse, revisiting The Beatlesโ€™ iconic songs through a series of witty, meticulously painted scenes. Each work reimagines a Beatles song with a playful visual twist, inviting viewers to look more closely โ€” and have a laugh.

Rendered in acrylic with precision, these bite-sized paintings merge nostalgia, reinvention, and humour. Some strawberries rest delicately on crochet doilies; others interact with each other in comic absurdity. What begins as a humorous riff on familiar lyrics becomes, in the end, a tender homage to the songs that shaped a generation.


But wait โ€” thereโ€™s more!
There will be a little (and maybe unexpected) twist in the show โ€” but youโ€™ll have to come and see it for yourself. I wonโ€™t spoil the surprise, just come along, have a good laugh, and enjoy! I had mega fun composing and painting these little pieces.

What I can tell you is that thereโ€™ll be an A-Side and a B-Side to the show โ€” just like in the good old tape and vinyl days!


I hope Iโ€™ve given you enough of a taster to make sure you pop this event in your calendars. Thereโ€™ll be a finissage on 28 November from 5โ€“7pm, with drinks, red nibbles, and other bits.

Hope to see you there!